The Choir is waiting at the threshold and (pause) – deep dive (pause) uncoiling memory, 2022 photographer Cristiano Corte, © Alberta Whittle. Courtesy the artist, Scotland + Venice
Following a pause in 2024 to review Scotland's involvement, the Scotland + Venice Partnership are pleased to announce our renewed participation in the Venice Biennale for 2026, and a commitment to future editions in 2028 and 2030. Read more
Following a pause in 2024 to review Scotland's involvement, the Scotland + Venice Partnership are pleased to announce our renewed participation in the Venice Biennale for 2026, and our commitment to future editions in 2028 and 2030. Read more
Scotland + Venice has been developed over twenty years as an official Venice Biennale collateral event. Up until its pause in 2024, Scotland+ Venice had established a reputation as one of the Biennial’s most exciting collateral events. Read more
Established in 2003, Scotland + Venice is a significant, flagship project that promotes the best of contemporary art and architecture from Scotland on the world stage at La Biennale di Venezia (La Biennale). Read more
Pictured: Entanglement is more than blood by Alberta Whittle. Credit: Neil Hanna Photography
The National Galleries of Scotland has announced the acquisition of two major works by the celebrated Barbadian-Scottish artist, Alberta Whittle. The artist’s extraordinary installation with tapestry, Entanglement is more than blood (2022), and thought-provoking film, Lagareh – The Last Born (2022), will form an integral part of Alberta Whittle: create dangerously. Read more
Read an extract from Invest in Love: Decolonial, Feminist, and Queer Curatorial Approaches in deep dive (pause) uncoiling memory, a dissertation submitted for the Degree of MLitt Museum and Gallery Studies at the University of St Andrews by Kate M. Read more
Image: Alberta Whittle, Lagareh – The Last Born, (film still – single channel video), 2022. Photographer Jaryd Niles-Morris, © Alberta Whittle. Courtesy the artist, Scotland+Venice, and Forma.
Lagareh – The Last Born draws focus on anti-racist and pro-black advocacy, and Scotland’s historic connections to transatlantic slave trade. The free screening is part of a 6 venue Scottish tour & comes ahead of major solo show at National Galleries of Scotland. Read more
Image: Alberta Whittle, Lagerah – The Last Born, (film still – single channel video), 2022, Photographer Matthew Arthur Williams, © Alberta Whittle. Courtesy the artist & Scotland+Venice. Co-commissioned and produced by Forma Arts, London.
SOUND | MATTHEW ARTHUR WILLIAMS AND RICHY CAREY IN CONVERSATION OVER A SHARED MEAL LUX Scotland and ATLAS Arts are delighted to host a screening of ‘Lagareh – The Last Born’ at Broadford Hall on the Isle of Skye. Read more
Alberta Whittle, Lagerah – The Last Born, (film still – single channel video), 2022, © Alberta Whittle. Courtesy the artist & Scotland + Venice
MOVEMENT | DIVINE TASINDA AND EOIN DARA IN CONVERSATION LUX Scotland and Scotland + Venice are delighted to host a screening of ‘Lagareh – The Last Born’ at the MacRobert Building, University of Aberdeen. Read more
Left: Dr Leora Farber (left), Associate Professor in the Faculty of Art, Design and Architecture, University of Johannesburg, South Africa, with Alberta Whittle (right) in Venice. Right: Shalom Mushwana, 2022 Professional Development Programme participant from the University of Johannesburg
The Visual Identities in Art and Design Research Centre (VIAD) is housed within the University of Johannesburg’s (UJ) Faculty of Art, Design and Architecture (FADA). VIAD supports an international community of Visiting Professors, Research Associates, Affiliated Researchers and Postdoctoral Fellows, whose diverse research projects promote critical thinking (and feeling) around two core thematic currents in relation to visual practice, representation and culture, art and design practices: Africa and African diasporic histories, identities, and creative human practices. Read more