6 November 2026 — Writing

Curators in Conversation: Morven Gregor & Mara Gladstone

L: Morven Gregor, Photo by Dimitri D’Ippolito. R: Mara Gladstone. Photo by Kieran Punay.

Mara Gladstone is the curator of the Philippine Pavilion at the 61st Venice Art Biennale 2026 Sea of Love / Dagat ng Pag-ibig a project by artist Jon Cuyson, and Morven Gregor is the Curator of Contemporary and Learning at Mount Stuart Trust, who this year curated Scotland + Venice's presentation Shame Parade by Bugarin + Castle. Read more

16 October 2026 — Writing

morning star mace by Adam Benmakhlouf

Bugarin + Castle, Installation view of the exhibition Shame Parade curated by Mount Stuart Trust for Scotland + Venice at La Biennale di Venezia in 2026. Image by Dimitri D’Ippolito. Courtesy of the artists and Scotland + Venice.

A dark corridor on arrival becomes throat walls as gulping noises play along its narrow green-lit passage leading to Bugarin + Castle’s Venice presentation. ‘Autophony’ is the relevant term for hearing my own biological functioning: creaking, pulsing organs and bones from within. Read more

25 September 2026 — Writing

Shame Parade Senior Exhibition Associate, Lily Lavorato Reflection

Lily Lavorato

In the second week here, we move a Vaporetto ride away from Venice and start travelling to work every day across the water. After the first few rides, I stumble off the boat physically, to spend my days on land, internally swaying, asking if anyone else is and realising I’ve left brain and senses on the boat and they’re off doing the rounds of the island. Read more

10 September 2026 — Writing

Gemma Rolls-Bentley on Bugarin + Castle’s Shame Parade at the Venice Biennale

Detail of Bugarin + Castle, Set Upon, part of Shame Parade curated by Mount Stuart Trust for Scotland + Venice 2026. Image by Ryan Scott.

For me, Bugarin + Castle are quite easily the standout artists at this year’s Venice Biennale. Both young and right at the beginning of their collaborative artistic career, Davide Bugarin and Angel Cohn Castle first crossed paths in Edinburgh, where they were both performing in the city’s queer cabaret scene. Read more

3 April 2025 — Writing

Scotland + Venice 2024 Review

Scotland + Venice has been developed over twenty years as an official Venice Biennale collateral event. Up until its pause in 2024, Scotland+ Venice had established a reputation as one of the Biennial’s most exciting collateral events. Read more

29 November 2022 — Writing

Three questions with The Visual Identities in Art and Design Research Centre (VIAD)

Left: Dr Leora Farber (left), Associate Professor in the Faculty of Art, Design and Architecture, University of Johannesburg, South Africa, with Alberta Whittle (right) in Venice. Right: Shalom Mushwana, 2022 Professional Development Programme participant from the University of Johannesburg
Left: Dr Leora Farber (left), Associate Professor in the Faculty of Art, Design and Architecture, University of Johannesburg, South Africa, with Alberta Whittle (right) in Venice. Right: Shalom Mushwana, 2022 Professional Development Programme participant from the University of Johannesburg

The Visual Identities in Art and Design Research Centre (VIAD) is housed within the University of Johannesburg’s (UJ) Faculty of Art, Design and Architecture (FADA). VIAD supports an international community of Visiting Professors, Research Associates, Affiliated Researchers and Postdoctoral Fellows, whose diverse research projects promote critical thinking (and feeling) around two core thematic currents in relation to visual practice, representation and culture, art and design practices: Africa and African diasporic histories, identities, and creative human practices. Read more

9 November 2022 — Writing

Alice Rose Archer: Reflections on conservation

Alice Rose Archer crouches in front of a tapestry created for Alberta Whittle's 2022 exhibition in Venice - Image by Joe Satorius
Alice Rose Archer at work in front of the tapestry created as part of Alberta Whittle’s exhibition, deep dive (pause) uncoiling memory Image credit: Joe Satorius

Alice Rose Archer is a preventive conservator originally from the UK and has been based in Venice, Italy, for nearly a decade. After graduating from the University of St Andrews in History of Art and Italian, she moved to Venice and worked on numerous exhibitions as a production manager and curatorial coordinator. Read more

31 August 2022 — Writing

Three questions with Glasgow Sculpture Studios

Plans for the gates that form part of deep dive (pause) uncoiling memory

Image: Pause Fabrication Drawing. Courtesy GSS Fabrication. In this instalment of 'Three questions with...', we speak to Kirsty Hendry, Learning & Engagement Manager at Glasgow Sculpture Studios. Read more

2 August 2022 — Writing

Watch: Alberta Whittle takes us behind the scenes

Image: deep dive (pause) uncoiling memory, 2022 Installation Shot. Photographer Cristiano Corte, © Alberta Whittle. Courtesy the artist, Scotland+Venice

In this film, Alberta Whittle takes us behind the scenes of deep dive (pause) uncoiling memory, exploring the themes and providing insights into her process. Created by Becky Manson, filmmaker & videographer at National Galleries Scotland. Read more