Scotland + Venice

Scotland + Venice 2024 Review

Scotland + Venice has been developed over twenty years as an official Venice Biennale collateral event. Up until its pause in 2024, Scotland+ Venice had established a reputation as one of the Biennial’s most exciting collateral events. Read more

Kate M. Wilcox – Invest in Love: Decolonial, Feminist, and Queer Curatorial Approaches in deep dive (pause) uncoiling memory

Read an extract from Invest in Love: Decolonial, Feminist, and Queer Curatorial Approaches in deep dive (pause) uncoiling memory, a dissertation submitted for the Degree of MLitt Museum and Gallery Studies at the University of St Andrews by Kate M. Read more

Three questions with The Visual Identities in Art and Design Research Centre (VIAD)

Left: Dr Leora Farber (left), Associate Professor in the Faculty of Art, Design and Architecture, University of Johannesburg, South Africa, with Alberta Whittle (right) in Venice. Right: Shalom Mushwana, 2022 Professional Development Programme participant from the University of Johannesburg

The Visual Identities in Art and Design Research Centre (VIAD) is housed within the University of Johannesburg’s (UJ) Faculty of Art, Design and Architecture (FADA). VIAD supports an international community of Visiting Professors, Research Associates, Affiliated Researchers and Postdoctoral Fellows, whose diverse research projects promote critical thinking (and feeling) around two core thematic currents in relation to visual practice, representation and culture, art and design practices: Africa and African diasporic histories, identities, and creative human practices. Read more

Alice Rose Archer: Reflections on conservation

Alice Rose Archer crouches in front of a tapestry created for Alberta Whittle's 2022 exhibition in Venice - Image by Joe Satorius

Alice Rose Archer at work in front of the tapestry created as part of Alberta Whittle’s exhibition, deep dive (pause) uncoiling memory Image credit: Joe Satorius

Alice Rose Archer is a preventive conservator originally from the UK and has been based in Venice, Italy, for nearly a decade. After graduating from the University of St Andrews in History of Art and Italian, she moved to Venice and worked on numerous exhibitions as a production manager and curatorial coordinator. Read more

Three questions with Glasgow Sculpture Studios

Plans for the gates that form part of deep dive (pause) uncoiling memory

Image: Pause Fabrication Drawing. Courtesy GSS Fabrication. In this instalment of 'Three questions with...', we speak to Kirsty Hendry, Learning & Engagement Manager at Glasgow Sculpture Studios. Read more

Watch: Alberta Whittle takes us behind the scenes

Image: deep dive (pause) uncoiling memory, 2022 Installation Shot. Photographer Cristiano Corte, © Alberta Whittle. Courtesy the artist, Scotland+Venice

In this film, Alberta Whittle takes us behind the scenes of deep dive (pause) uncoiling memory, exploring the themes and providing insights into her process. Created by Becky Manson, filmmaker & videographer at National Galleries Scotland. Read more

Reflections on deep dive (pause) uncoiling memory

Amanda Catto, Head of Visual Arts at Creative Scotland and Chair of the Scotland + Venice partnership, looks back on her time experiencing this year's presentation by Alberta Whittle at Scotland + Venice Just over 3 months ago I was at La Biennale in Venice supporting the launch of Alberta Whittle’s new commission – the remarkable exhibition deep dive (pause) uncoiling memory. Read more

Three questions with LUX Scotland

Photo of some of the LUX Scotland team stood outside with sandstone buildings in the background.

Photo: by Matthew A Williams of Marcus Jack, Eve Smith, Annie Crabtree, Kitty Anderson & David Upton

As summer takes foot across Scotland and Venice, and memories of spring fade into our individual and collective memory, we're back with the next instalment of our 'Three questions with...' series. In conversation with Kitty Anderson, Director at LUX Scotland, we explore how working with Alberta and the process of co-creation cements a powerful thread of togetherness in deep dive (pause) uncoiling memory. Read more

Three questions with Dovecot Studios

As the world enters into the space that is deep dive (pause) uncoiling memory, we're back from the most triumphant opening week in Venice and enjoying moments of reflection and deep thought on this historic work by Alberta Whittle. Read more

deep dive (pause) uncoiling memory – accompanying writing

An illustration of a hand holding shells in front of a diamond pattern sits alongside a poem by Alberta Whittle, entitled Looking the snare in the eye. It says "I We are falling now. Falling through time, whirling. Dancing, Jack-knifing. And twisting until the chain pulls tight and I cannot breathe. Stop. Listen to your heart. I want you to know you are safe in my deep, even when you didn't dare hope that I would exist (some day), You are safe, even when you looked death in the eye. But now you are ashes beneath the soil, in the sand, in mud, with the worms that wringgle and eat and shit and fuck and WREAK! Retracing steps worn away by time, I look fo refuge in shorelines but find routes no longer open. Instead I see carcasses of wooden ships wreaked and spent on the horizon. Not welcome. No welcome here. Adorning myself in dazzle, I step into the water."

An excerpt from the publication by Alberta Whittle

deep dive (pause) uncoiling memory is an exhibition by artist Alberta Whittle commissioned on the occasion of the 59th International Art Exhibition – La Biennale di Venezia, by the Scotland + Venice partnership. Read more